Nick Denton has a Q&A with Michael Learmonth of Ad Age. There’s a snippet on SAI. What I’ve seen so far seems really sharp. For instance, the below quote, via Lunch Food:
Mr. Denton: When Gawker started, there was a surfeit of information and not nearly enough context — so we provided that, in the form of links and occasionally snarky commentary. But now the balance has shifted. There are pointers to articles on the blogs, Facebook, Twitter, Digg. And all these intermediaries are looking for something to link to. If a good exclusive used to provide 10 times the traffic of a standard regurgitated blog post, now it garners a hundred times as much. That should be reassuring to people. The content market is finding its new balance. Original reporting will be rewarded.
This has nothing to do with the above, but I think a smart thing Denton/Gawker does is place the Gawker artists series around the content. If it were blank or just banner ads all the time, I would never look at them. Since they’re art, I check them out. When there’s ads in there, I still look, because suddenly I’ve been conditioned to look over there.
I’m not sure if the success of the program is measurable in any real way, but it’s one of smartest things in online publishing I can think of. It’s an argument that less can become more. The argument becomes even stronger when you look at the giant ads that are taking over his sites, as well as the Times and ESPN and the Journal.
Ad Age: Gawker adopted some of the bigger ad formats, now the rage at places like NYTimes.com. Did that help?
Mr. Denton: People have faster connections and bigger screens — and the editorial images are getting larger. It’s about time that the advertising caught up. Nobody complains that the ads in Vanity Fair are lavish. Why should premium sites on the web be any different? With about 13 million unique visitors in the U.S., we finally achieved scale. We’ve been more willing to provide value to advertisers — in the form of our giant marquee ads, for instance. And I do wonder whether online marketers are finally distinguishing between crappy networks and online properties with genuine followings.
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